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Zoroastrian comes from around teh world to visit this Sacred Eternal Flame in a plae called Zoroastrian Fire Temple in Yazd, the Flame or fire believed to have been burning since about AD 470. The fire is visible through a window from the entrance hall.

The Fire that is burning inside the Zoroastrian Fire Temple was transferred  to Ardakan in 1174, then to Yazd in 1474 and to its present place in 1940. Above the entrance you can see the Faravahar symbol.

The Zoroastrian Fire Temple building was built in 1934 under the supervision of Jamshid Amanat on a piece of land donated by the Amanat brothers, and funded by various sources. The fire temple is said to be the only Iran’sZoroastrian fire temple housing Atash Bahram. The latter defines the grade of consecrated fire in the temple, more than it does the temple. It involves the gathering of different types of fire gathered from 16 different sources, including lightning, fire from a cremation pyre, fire from trading places where a furnace is maintained and fires from the hearths of houses.

The fire is inside a bronze vessel and visible only from behind a glass wall. Only priests attached to the fire temple may enter the innermost sanctum. There are no lights in the inner sanctum other than that of the fire itself.

The stunning three-storey facade of this Hosseinieh makes it one of the largest such structures in Iran. Its rows of perfectly proportioned sunken alcoves are at their best, and most photogenic, around sunset when the light softens and the towering exterior is discreetly floodlit. Recent work has added arcades at the side to keep traffic away from the structure. You can climb to the 1st floor of the structure and look over the square, but higher levels are not accessible.

Underneath the complex is a bazaar where kababis specialise in jigar (grilled liver). In front of the Hosseinieh, look out for the huge wooden palm nakhl, an important centrepiece once used for the observance of the Shiites’ passionate Ashura commemorations.

Once a residence of Persian regent Karim Khan Zand, this small pavilion set amid Unesco-listed gardens was built about 1750. The interior of the pavilion is superb, with intricate latticework and exquisite stained-glass windows. It’s also renowned for having Iran’s loftiest badgir, standing over 33m, though this one was rebuilt after it collapsed in the 1960s. The entrance can be reached from the western end of Shahid Raja’i St.


Dominating the old city, this magnificent building has a tiled entrance portal that is one of the tallest in Iran, flanked by two magnificent 48m-high minarets and adorned with an inscription from the 15th century. The exquisite mosaics on the dome and mihrab, and the tiles above the main western entrance to the courtyard are particularly stunning. The gardoneh mehr (swastika symbol) used on the tiles symbolises infinity, timelessness, birth and death and can be found on Iranian buildings dating back as early as 5000 BC.

Built for Sayyed Roknaddin in the 15th century, the mosque is on the site of a 12th-century building believed to have itself replaced an earlier fire temple. In the courtyard there is a stairwell leading down to part of the Zarch Qanat (closed to the public). Roof access is barred to everyone except Muslim women, who are allowed up on Fridays only.

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